I've recently come across various supercuts of Tarantino movies. The three I'm interested in are below. After watching them though, I find myself being interested in the art of the supercut rather than thinking about the content. I think I'm referencing supercuts for my own supercuts much like a movie student would refer to significant movies for their own movies.
I've taken a break from editing supercuts, while focusing on my podcasts, but I think I can do an hour a day soon, just for super cutting, it's a muscle like anything else and a great way to employ Final Cut's features. All three videos were made by three individuals. Analysing Movies Part One can be found here.
It's only with the Wes Anderson supercut that I am actually looking at the art. So enjoy that as well.